The steamrolling weeks continue, but there have been some highpoints. (I also want to acknowledge the passing of pioneers
Lena Horne and
Dorothy Height, two strong, smart, beautiful, visionary black women whose courage, determination and grace have made so very much possible for all who follow in their footsteps.)
On Wednesday,
Nathalie Stephens/Nathanael, whom I'd seen read last Saturday at
Las Manos Gallery's Uncalled-For Reading Series (photos coming!), with
Kareem Khubchandani (a grad student at the university, working with the brilliant
E. Patrick Johnson), and
Trish Bendix, came to speak to my class about her remarkable recent book,
Absence Where As: Claude Cahun and the Unopened Book (Nightboat Books, 2009), which was revelatory in so many ways. Then, right after class concluded, I went to
M. Nourbese Philip's reading, which was sponsored by the university's
Poetry and Poetics Working Group and the
Humanities Center. She read/performed--quite extraordinarily, I testify--from her recent work,
Zong! (as told to her by Setaey Adamu Boateng) (UPNE, 2008), which I believe the
UniVerse of Poetry and
Chicago Public Radio audiotaped, meaning that it will be available very soon, I hope. On Thursday afternoon, she participated in a conversation sponsored and attended by members (students, faculty) of the Poetry and Poetics Working Group and scholars from outside the university. It was as
Barbara Tucker sang: I got lifted.
Amidst everything else, I've been trying to funnel my artistic yearnings into something productive, which has meant a bit of sketching whenever I can. Below are some very recent drawings. A certain developer I know very well (
Mr. C-thank you!) passed on a first generation
iPad, so I've been trying that out too, though I haven't figured out if the iPhone drawing app I like,
Sketchbook, is fully functional, especially with layers. I'll post some of those soon.
Miriam asked in a previous comment whether I completed these all at once, and I'd say that I usually finish the monochrome ones fairly quickly, but with the full-color ones I tend to get as much done as I can the first pass through, then I return to work with them a bit more. I also tried a few different styles this time through, as will be evident. The fastest drawing of this group is the one of
Gerard Cadava (a colleague in history), at his father's talk. I was taking notes assiduously, so as soon as I found a lull of sorts, I sketched him, then returned to my note-taking. The base pen tool color was blue, so that's what I went with. The two black-and-white drawings are the first I've ever done in one pass, while standing (I was waiting in line at a restaurant, so I drew people standing right near me). And then there are the drawings of the artists: Cristina (I haven't shown this to her yet), Chris Ware, and Anders Nilsen. If I can get the latter two figures email addresses, I think I'll forward them directly.

Drawing from today

Drawing from today

Gerardo Cadava

Cristina Henríquez

Chris Ware (did you ever wonder what he looked like?)

Anders Nilsen